Reviews

David Tredinnick

“Alaine Beek’s “Point of No Return” not only shines a light on a little-known aspect of Australia’s dark convict past: remarkably, it also manages to paint a nuanced portrait of male relationships, especially between those teetering on the verge of manhood. The dialogue is heartfelt and funny, the tension palpable, and the onstage action often surprising and fierce. Although the situation is outside most people’s direct experience, the audience can easily identify with the characters and become totally engrossed in the world that is being created before them. This is a truly beguiling piece of writing that also translates effortlessly onto the stage.”

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